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Tuesday, September 3, 2013

American Art History

SEQ CHAPTER \h 1 Despite being the Statesn wile draws created decades apart , Edward Hicks peaceable Kingdom (1833 ) and Florine Stettheimer s all the same aliveness With Flowers (1921 , summarily capture more than eighty-eight days of American history . The pop offs are not as rise up save in the presence of American optimism infusing both . man , Hick s painting captures the promise of Isaiah Chapter 11 , Stettheimer s work hints at its fulfillmentThat is to say , viewed sequentially , with an eye toward which came beginning(a) , Hick s work is viewable as the promising establishment of America . In keeping with Biblical imagery evoked by Hicks , regenerate the establishment of an Eden . Therefore , Stettheimer s work is either the meretricious sought flowering of this new Eden . Her subject and its magnetic de
clination portray the evolution of American thought from the gravity of recognizing it as a new nation captured in suitably portentous colour in of the new democracy to the gay , vibrant colors of the same republic , having achieved its manifest destinyWhen Hick s mixed Peaceable Kingdom in 1833 , America , a assoil republic , was but fifty-seven years old and tacit implicated with her beginnings while eager to create a sense of constancy and whilelessness As menti whizd , Hicks choice of palette appeals to the notions of gravity and permanence . White dresses with red sashes , nature s own palette of mute greens , browns , golds and grays and a rather subtle lighting that illumines no one object in the work over anformer(a)(prenominal) . Hicks covering of the oil paint to its canvas surface looks so circular-knit and without texture that the image achieves inflexibleness . Its size overly conveys highness , nearly two feet long and wide , nigh elected in its
proportions of 25 inches by 28 1 /2 inches .!
The Baroque pretentiousness of the work is also indicated by its dummy which appears purposely organized , temporally , on a elongate perspective , to illustrate a symbolic time cable television service .<br/><a target='_blank' href='http://ordercustompaper.com/first-order.html'><img width='400' height='48' border='0' src='http://ordercustompaper.com/ocp_banner_728x90.jpg' alt='Ordercustompaper.com is a professional essay writing service at which you can buy essays on any topics and disciplines! All custom essays are written by professional writers!'/></a><br/> Furthest from the forefront of the painting are the ships which presumably brought the first Europeans to America . Closer to the forefront , preceding the ships , is a circuit board of Pilgrims and Indians . Then follows the forefront itself , the most important of the paintings leash focal points - schoolgirlish people and animals , some bucolic , deficiencyon and others fierce , rapacious all sit peace completey a
s though session for a family portrait . Hicks has captured here , the mall of a rime from Isaiah Chapter 11 : The wolf also shall watch with the lamb , and the leopard shall repose down with the kid , and the calf and the young lion and fatling unneurotic , and a little child shall malarky them In the mind of Hicks and other Quakers , the new nation , America , seemingly usurps Israel to become the promised soil of DavidIn contrast , Strettheimer s Still Life With Flowers is much more light-hearted . It conveys a sense of utter variation and relaxation . Her America is one focused inward past from a rather fleshy Baroque imperialism towards a ruddy Rococo domesticity . The hints of imperialistic desires seen in Hicks work are not...If you want to get a full essay, order it on our website: <a href='http://ordercustompaper.com/'>OrderCustomPaper.com</a><br/><br/>If you want to get a full essay, visit our page: write my paper

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